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DAVID LAMELAS E HILDEGARDE DUANE | Para algunas caídas no existe la gravedad | Museo de la Memoria y los Derec hos Humanos | Santiago, Chile

DAVID LAMELAS E HILDEGARDE DUANE | Para algunas caídas no existe la gravedad | Museo de la Memoria y los Derec hos Humanos | Santiago, Chile

Among the key works featured in the exhibition at the Museo Nacional de Bellas Artes in Santiago, Señalamiento de tres espacios abiertos (Signalling of Three Open Spaces, 1968) stands out prominently. In this historic conceptual piece,Lamelas temporarily demarcates three areas of open space (such as a park or garden) using cardboard rectangles arranged in circles around natural elements. Through this simple visual gesture, the artist explores the ideas of space, gravity, and immaterial fall, demonstrating how an ephemeral intervention can alter our perception of the surrounding environment without physically changing it.

  • Santiago, Chile
  • Museo de la Memoria y los Derec hos Humanos
THOMAS RUFF | Ruin Echoes | Group show | Konschthal esch in esch-sur-Alzette, Luxembourg

THOMAS RUFF | Ruin Echoes | Group show | Konschthal esch in esch-sur-Alzette, Luxembourg

The group exhibition Ruin Echoes explores the concept of ruins, historical memory, and the passage of time through contemporary photography and visual media, reflecting on how fragments of the past continue to resonate in the present.Within this showcase, the work by German artist Thomas Ruff (drawn from his acclaimed series such as d.p.b. / desastres de la guerra or his re-examinations of historical architecture) addresses the representation of destruction and collective trauma. By appropriating and digitally manipulating archival imagery, Ruff dissects the photographic surface to question the boundaries between historical document, propaganda, and the visual perception of catastrophic events.

  • Luxembourg
  • Konschthal esch in esch-sur-Alzette
  • 24 ottobre 2026
JOSEOH KOSUTH | Vedere le cose (for A.S) | Permanent installation | Museo del 900, Milano

JOSEOH KOSUTH | Vedere le cose (for A.S) | Permanent installation | Museo del 900, Milano

EnglishVedere le cose (Seeing Things) is a site-specific installation by American conceptual artist Joseph Kosuth,installed on the facade of the Museo del Novecento in Milan (Arengario Palace). The artwork features a neon light text quoting art critic and writer Alberto Savinio: "The present, which is to time what the facade is to space, prevents us from seeing things in depth." By connecting the physical architecture of the building with the perception of time and memory through light and language, Kosuth invites viewers to look beyond the immediate surface of the present.

  • Milano
  • Museo del 900

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