Agnieszka Kurant (b. Łódź, Poland) draws on philosophy, technology, science and digital capitalism to create unstable, evolving works around collective intelligence and the future of labor and creativity. She sets up complex systems, networks, and environments made of multiple agents (molecules, animals, bacteria, Artificial Intelligence algorithms or crowds of people) who interact to produce hybrid forms undergoing perpetual metamorphosis. Oscillating between biological, digital, and geological, natural and artificial, life and nonlife, deep past and deep future, her works explore plural subjectivity, the evolution of living systems, culture and technology, transformations of the human, automation and cybernetics. She has presented solo exhibitions at Mudam, Luxemburg (2024), Castello di Rivoli, Turin (2021) and Sculpture Center (2013) among others. Her work was featured at Jeu de Paume, Paris (2025), the Gwangju Biennial (2024), Sydney Biennial (2024); Centre Pompidou, Paris (2024); Pinault Collection - Bourse de Commerce, Paris (2024), Gropius Bau, Berlin (2024); Louisiana Museum, Denmark (2023); Museum of Modern Art, New York (2021); and Istanbul Biennial (2019). In 2021–22 Kurant realised a permanent commission for the MIT List Visual Arts Center, Cambridge and in 2015 a commission for the façade of the Solomon R. Guggenheim Museum, New York.