Marzia Migliora (born in Alessandria in 1972) lives and works in Turin. The work of Marzia Migliora is based on a wide range of languages including photography, video, sound, performance, installation and drawing. Her works originate from the close attention she devotes to individuals and their everyday lives. She has recently explored a multispecies approach in order to create new sensitive relationships, imagining how things might appear from the perspective of animals and plants, investigating the relations existing between environment and human beings.
The artist’s work has been displayed at the Venice Biennale in 2015 and in shows and exhibitions in Italy and abroad including: MAGA [Museo Arte] Gallarate (2020), Ca’ Rezzonico, Venice (2017), Museo d’Arte Contemporanea Castello di Rivoli (2012), MAXXI Rome (2012), Museo del Novecento in Milan (2011), Fondazione Merz in Turin (2006), FACT Liverpool (2005); MART in Rovereto (2004), Fondazione Sandretto Re Rebaudengo in Turin (2004). The artist’s works form part of public and private collections in Italy and abroad: Madre Museum (Naples), Biedermann Museum (Donaueschingen), The National Museum of Women in the Arts (Washington), Fundaciò Sorigué (Lleida), Museo Castello di Rivoli (Turin), Museo del Novecento (Milan), Sandretto Re Rebaudengo (Turin), Fondazione Merz (Turin), La Triennale (Milan), Collezione ACACIA (Milan), Collezione La Gaia (Cuneo), Videoinsight collection (Turin).
The Drawing Hall, the space that presents contemporary drawing at the centre of its investigation, opens on 4 October with Paradossi dell’abbondanza (Paroxes of Plenty), the solo exhibition by Marzia Migliora curated by Alberto Fiz, on view until 17 November 2024. As it is customary for this space located on the outskirts
For the 2024 edition of Panorama Monferrato we will present a work by Marzia Migliora from September 4 to 8 at the Montemagno Castle.
The by now customary dialogue with the contemporary is entrusted to the work “Paradoxes of Abundance #51 (big wave)”, 2023, by Marzia Migliora, part of a cycle of drawings that the artist has created in recent years and that investigate the relationship between food production, commodity and surplus value of
The exhibition Outside the Soup emphasizes the potential of art to create new worldviews through radical imagination and artistic experimentation; placing care, solidarity, and trust at the forefront. Rather than building on a conceptual framework as the underpinning for the exhibition, the role of mutual and reciprocal relationships within the
Opening at Tai Kwun Contemporary, Green Snake: women-centred ecologies, gathers more than 60 works—16 of them new commissions—from 30 artists and collectives in an exhibition that draws on mythologies and world views with women at their heart to explore possibilities for other ecological relationships. In the context of rising global temperatures
During the #MAOTempoPresente residency programme, artist Marzia Migliora spent a period of several months between 2022 and 2023 at the MAO museum. She studied the works kept in the museum’s storage, assimilated the objects, stylistic features, and images from the collection, and created a composite alphabet. This alphabet was then
